watercolour
See bellow posts filtered by “watercolour” category. You may also be interested in seeing projects under WATERCOLOUR category.
Find below the blog posts related to watercolour:
Beauty (and Christmas prize!)
Beauty is around us: in the writing of a manuscript, the clasps of a book, the mark of an etching or the traced lines of a drawing. In this year's Christmas there are masters' works by Albrecht Dürer, Jean-Auguste Dominique Ingres, Salvador Dalí, Joan Miró, Sam Cobean, Bruegel, Ramon Casas, an 14th c. manuscript and an Ornithology by Aldrovandi with parchment over stiff boards.
For a stellar Christmas and new year!
For a stellar Christmas and new year! (and christmas contest)
Premiere of the video of the conservation treatment of a map
Premiere of the video showing the full conservation treatment of an oversized hand-coloured map, varnished and lined on a canvas. Do not miss it! Next Thursday 27 at 4pm CEST (UTC+2).
Profession: book and paper conservator
What does a paper conservator do? Whom does she work for? What skills and knowledge does she ought to have? Preservation and conservation, a field linked to science, history and arts and crafts. A video explains what differenciates us from forgers and shows -among other- how we produce a hand-made suction table to restore paper artifacts, with loads of creativity, a feature most necessary to become book and paper conservator.
Retouching, a taboo in paper conservation?
Retouching is among the most sensitive within ethics in conservation since it means to establish the aspect a restored object is expected to have. My opinion is that the looks of an historical object is often as important as its physical-chemical condition, and not intervening provides poor results that might mislead its readability more than a proper intervention. The more we intend to make it as neutral as possible, the least arbitrary, we need to admit that retocuhing requires good taste.
Dürer: From old Europe to Palm Beach
Alligators, palm trees, luxury residences… [...]
New conservation methodolgy to retrieve lost flexibility to brittle tracing paper
Approach to a new methodolgy to retrieve the lost flexibility to brittle paper. Tracing paper -so usual among technical drawings- have in common their transparency, but there are significant differences in the process to make them. The properties and behavior will be very different then. Impregnated papers, for an instance, were applied oils or varnishes to provide them translucency. Explanation restoration of several drawings in which the varnish was removed to replace it later.
Damned “sellotapes”!
Which damages cause sellotapes? Can we release documentary heritage from these fatty strips? Explanation for the degradation mechanisms of this historic "remedial" tapes that we can find in documents of all kinds, and restoration possibilities in each case.
Gone with the wind
I don’t like much having war books, but I must admit that this one is particularly beautiful. The velvet binding seemed to me a challenging issue on the restoration, which did not have major complications besides this. I show the restoration of this book because of the headaches it has given me when solving the lost areas, the wooden work. The considerable losses on a laborious woodcarving work, and the lack of originals of many of the missing pieces fairly complicated the subject (the shields on the corners were different).
